Erik Ellickson's blog

The ULTIMATE!!! 5 Promos

http://en.wikipedia.org/wiki/Warrior_%28wrestler%29

(Disclaimer: In attempt to channel the unmatched energy of this freak of nature, I will be using all caps and broken English for the duration. All for fun though!)

5. LOW IN TONE YET HIGH IN IN-TEN-SUH-TY, LISTEN AS I DEMO-LISH THE IMMORTAL ONE HOOOOO-KOOOGAN!


4. TWENTY EIGHT NORMALS ARE NO MATCH FOR DA WAH-RI-OR! ANOTHER DAY OF COMBAT AS MY POWAH SPREADS LIKE A VIRUS!!!


3. BOW DOWN AT MY AL-TAR AND BEAR WITNESS TO HOW MA-NY SYL-LAB-BULLS I USE TO YELL IN-TER-CON-TIN-ENT-AL CHAM-P-ION!!!


Grindhouse: My Dream Comes True Edition

Rumor: Grindhouse Theatrical Experience BD

An early announcement to retailers indicates that Genius Products and The Weinstein Company are set to release Robert Rodriguez and Quentin Tarantino's 'Grindhouse' on Blu-ray on August 11. No edition details are available, other than this would be a two-disc set, but it may well be the theatrical Grindhouse double feature.

'Grindhouse' was conceived, edited and shown theatrically (in the US) as a typical exploitation double-feature as one could attend at cheap theaters in the 1970s: it consisted of two features ('Planet Terror', by Robert Rodriguez, and 'Death Proof' by Quentin Tarantino), interspersed with fake trailers and bumpers.

However, the film underperformed theatrically and the films were released separately (in expanded versions) on home video. The Grindhouse double feature wasn't even released theatrically in Europe, and its only DVD release so far is a coveted special edition from Japan.

It had long been rumored that the Grindhouse experience could be released on disc to tie in with 'The Inglourious Basterds'. But considering the increasing financial problems that The Weinstein Company is going through, which even made them give up the home video rights for 'Basterds', many had already given up hope.

http://www.blu-ray.com/news/?id=2959

I've No Need For A Metal RoboCop Poster, Eh?

Why was I not informed of this? This is an example of something you'd call me immediately upon discovery, like in that "house is on fire" frantic tone or some such.

And the winner of the MondoTees/AICN Metal Tyler Stout RoboCop poster is...

http://www.aintitcool.com/node/41406

I don't know what I would have designed but I would have won.

"He Deserves Not A Black Belt, But An Oscar." - TIME Magazine

I think Mr. Van Damme is telling me to start a review thread of his films.

This will be mine, oh yes, this will be mine.


Quite possibly the greatest cover design for a movie. I want a poster of this (with the quote on it of course).

http://www.blu-ray.com/movies/movies.php?id=3772

JCVD: Jean-Claude Van Damme Kicks His Own Ass!
http://www.time.com/time/arts/article/0,8599,1857303,00.html

The Jason Voorhees Filmography Countdown

In celebration of the most recent Friday, February 13th and of the release of the series "reboot" of Friday the 13th, I have decided to take a journey down memory lane and review all past films featuring the world's most iconic fictional slasher, Jason Voorhees.

I was introduced to Jason at a very young age (late nights on the USA Network, woohoo!) and I've been a megafan ever since. I vividly recall childhood camping trips where I would summarize the films by campfire to anyone that bothered to listen. I even dedicated a Halloween or two to Jason by fixing up the best hockey masked slasher costume I could scrounge up. No other slasher or horror movie stands up to this character or his movies so added incentive to compose these reviews are evident. If this is the year that we celebrate briefly Jason again, I owe it to myself and to the film franchise to write all I can about it.

For those who missed my Arnold Schwarzenegger Countdown, the process is as follows. Using my fanboy powers, I go back and rewatch all pertinent movies and carefully decide how to rank them in regards to all around personal enjoyment. I'll provide an official poster for each film, a cast list, brief synopsis, my take, thoughts on the film score, body counts, favorite kill, and probably more when it comes closer to the time that I start posting up each film review. For a categorical look, here is what I am projecting:

The Specs - Title, Release Date, Tagline, Cast
The Review - My take on the film
The Score - Brief thoughts on the music
The Sequence - My favorite, most memorable scene
The Body Count - Total on screen or implied deaths of anyone by anyone
The Line - My favorite quote of the film
The Shot - The singular image that defines the film
My Favorite Kill - The most unique death, most likely
The Man Behind The Mask - Short commentary on each portrayal/performance of Jason

Chi-chi-chi, ah-ah-ah...

The Surprising Affects Of 3-D

2009-02-13-31910.jpg

Last night, I discovered that there is only one thing worse than watching a 3-D movie in 3-D and coping with the countless "I'M POKING YOU!" moments. It's having to watch a 3-D movie on TV without any 3-D capability whatsoever and then having to deal with the "I'M STILL POKING YOU ANYWAYS!" moments.

If you're a glutton for punishment, try it sometime.

Frank Miller: Why The Hate?

Preface: I do not love or hate Frank Miller. I am seeking clarity on the geek community at large about all the rapidly increasing Frank hate.

Apparently I've been in a self-induced geek coma for I am guessing at least two years now. Lately, as of early December or so, I've been reading about Frank Miller and how he'd eventually go on to butcher The Spirit. This basically came to truth without a fight when the film released but the hate seemed to get turned up a notch with the rumor about Frank Miller wanting to do a Buck Rogers imagining. After reading countless forums and blogs, I decided to take a step back to try to grasp some perspective on what the hell was happening in front of me.

Didn't this guy recently make the well-received film adaptation of his own work in Sin City? Seriously, right? I vividly recall standing outside a theater with a group of friends chatting up about how much we enjoyed the film. Then the 300 eventually came to pass, and although not as well-received as Sin City, I still did not come across the Frank Miller hate that I am now.

So that was it before The Spirit, right? I mean, this is 2009 and I suddenly didn't end up in a wormhole in the future where Frank Miller remade Napoleon Dynamite, right? So what the heck is going on? Again, I am not trying to defend the guy, but I am completely clueless as to the nosedive he has taken over recent months. Was there a sleeper I didn't hear about? Did he say or do something?

I thought he was well respected and at least a visual genius. I understand visuals alone a great film does not make but, yeah, I feel like Sinclair here with a giant hole in my mind. So all you Minbari out there clue this fellow geek in please.

The Arnold Schwarzenegger Filmography Countdown

A challenge has been bestowed upon me. In an attempt to decipher what my all time favorite Arnold Schwarzenneger movie is, I am to watch and immediately post a review of each and every one of his major films. After consulting his IMDB credits, I think I can do this. I am bypassing his cameo appearances, voice acting, and bit TV roles he had in the late 70's. So here's the list, in alphabetical order:

*Batman and Robin
*Collateral Damage
Commando
Conan The Barbarian
Conan The Destroyer
End of Days
*Eraser
*Hercules In New York
*Jingle All The Way
*Junior
*Kindergarten Cop
Last Action Hero
Predator
*Pumping Iron
*Raw Deal
Red Heat
*Red Sonja
Running Man
Sixth Day
*Terminator 1
Terminator 2
*Terminator 3
Total Recall
*True Lies
*Twins

* = Not currently in my collection but accessible from Amazon.com and/or Netflix.

Recalling Andy's Barrage of Bond Reviews, I think I am going to follow similar paths. So each film will be watched in a process of elimination/last movie standing format and the corresponding reviews will be written in a standard/consistent format of topics. Although I do not really have a worst Arnold movie, the first review will be the bottom of the barrel while the final review will be crowned as my all time favorite Arnold flick.

The review format will be as follows:

· The Specs - Title, Year, Cast, Tagline, Poster, etc.
· The Review - Probably anywhere between 3-4 paragraphs.
· The Score - Yeah, I'm reviewing music from Arnold movies. Beat that, Ebert!
· The Sequence - Standout scene.
· The Body Count - A must.
· The Line - Defining catch phrase.
· The Shot - One standout still shot.
· The Extra - Random bonus tidbit.

See you at the party, Richter.

Storyboards & Strategy

When the new Digisite launched I knew I wanted to dedicate my blog here as an outlet to discuss and share what I do for any given project I happen to be assisting with at the time. With the recent release of The Statement of Randolph Carter, I decided it was time to detail a little bit of what my responsibilities were for the project, what I learned, how I overcame, and how this will apply to future projects. As the film credits will reveal, not only was I one of the Production Assistants, I also accepted the task of Storyboarding. As a PA, all I really did was assist in digging a hole and clearing a path through some woods so I figured it'd be best to focus this entry on the more interesting/unique of the two tasks.

User login

Who's online

There are currently 0 users and 2 guests online.